"Do you think I'm cool too? Or am I too into you?" The singer's fans believe this track to be about his girlfriend, actress and director Olivia Wilde. "I just think you're cool / I dig your cinema," he sings. "Cinema" centers around the sensual side of a new relationship and piecing together where you both stand (and features some very NSFW lyrics too). "You don't have to be sorry for leaving and growing up." And, while he acknowledges that "it's none of my business" (a subtle reference to his 2017 track "Kiwi"), he shares, "it's just been on my mind."
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"You can let it go / You can throw a party full of everyone you know / And not invite your family," he explains. Backed by delicately fingerpicked guitar, Harry weaves a story about dealing with family trauma, growing up and starting anew.
On "Matilda," Harry imagines the advice he'd give the protagonist from Roald Dahl's 1988 novel as an adult. "You never saw my birthmark." Now, as he reflects on what could have been, he sings, "I'm not worried about where you are / Or who you will go home to / I'm just thinking about you." “Matilda” "I disrespected you / Jumped in feet first and I landed too hard," he confesses during the song's middle eight. Late-night longing comes into play in "Little Freak," a soft, melodic track about a relationship that slipped through Harry's fingers before it could ever start. The playful, yet poignant electronic track depicts having a crush on someone who, as Harry sings, "ain't got time for me right now." Still, should they ever change their mind, Harry's still waiting and ready to "Dip you in honey / So I could be sticking to you." The singer Harry also confirmed that the song is not connected to Taylor Swift's song "Daylight." “Little Freak” In an interview with Howard Stern, Harry described "Daylight" as a "stream of consciousness" song about being infatuated with someone. Now, nothing will ever be, as Harry sings, "the same as it was." “Daylight” When speaking with Zane Lowe, Harry called the track "really devastating" and shared that it's "about a kind of metamorphosis and a perspective change" that you don't know fully understand is happening until it's too late. While its upbeat synths, chimes and soft vocals paint a picture of a feel-good moment, its lyrics are some of the darkest on the record. The first single from Harry's House, "As It Was," is deceptively sweet ear candy. "There's just no getting through / Without you / A bottle of rouge / Just me and you." "I pay for it more than I did back then," Harry shares about his growing headache.
Its constantly pounding bassline is juxtaposed with Harry's breathy, distant vocals as he laments a love lost over a few bottles of wine. "Grapejuice" is about a physical and emotional hangover. Whether that requires staying up all night talking or traveling from "Hollywood to Bishopsgate," no feat seems too large as Harry sings, "Now you're in my life / I can't get you off my mind." “Grapejuice” His feelings only go stronger throughout the evening as he adds, "It's cause I love you babe / in every kind of way / Just a little taste." “Late Night Talking”įirst unveiled during his headlining performance at Coachella in April, "Late Night Talking" is a glittering, disco fever dream that encapsulates the fluttery feeling of being completely infatuated with someone and wanting to spend every waking moment with them.
"Green eyes / Fried Rice / I could cook an egg on you," Harry sings. Blending soft jazz with funky, ‘70s soul, Harry's feel-good album opener "Music For A Sushi Restaurant" is an eclectic, imaginative take on a date at its titular locale.
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